This morning I am struck by a strong sense of time and narrative. Triggered by what, I’m not yet sure. Whether it’s because just this week I noticed a few grey hairs on my head, (for who knows how long; it just snuck up on me). Or whether it’s because my teenage daughter is now starting to fight with me the same way I used to fight with my mother, with a hint of condescension as if to say, “what the heck do you know anyway?-you’re out of touch”. Or, whether it’s the 1993 video veteran newscaster Dick Smyth shared this week of our 680News team in the early days of the first 24/7 news wheel format in Canada. I sense that it’s this latter scenario drawing me in, provoking a strong need to reflect on the perception of time, narrative, and what it does to the psyche. But first, a little background story.
In March of 1988 I was a high school senior partying in Cuba over Spring Break, living in the moment, not thinking too hard about what I really wanted to do after graduation. There were close to fifty other teens who came together from various regions in Ontario, all feeling the same way. We were escaping our futures, holding on to the moment, and to our youth. One of the teens from our small 10-member Niagara group would go on to embrace the future the following year, marrying a co-worker at her part-time student workplace. Still another would go on to serve in the Canadian military, dying 15 years later in Afghanistan from an improvised explosive device going off underneath the Armed forces’ light armoured vehicle he was traveling in. But these were not the potential realities we were thinking about in Cuba. Excited by our new-found independence and celebration of youth as a collective group, we spent the nights drinking and talking, and the days sleeping on the beach.
One late night we let “living in the moment” slip. A boy from Cambridge talked about his plans to go to college for Radio Broadcasting. It was all I could think about for the rest of the trip. What was I going to do with my life? Shortly after I returned home, the sun melted the Spring ice and a TV crew showed up on our door to film my mother for a gardening episode on TVO. I got some advice from a young crew member and set my sights on applying to Ryerson and getting a co-op placement at the local radio station.
At CHSC, the afternoon news anchor and later, my friend Ed Eldred took a chance on me and sent me out to do a story on the tall ships that had sailed into the Welland locks. I found a young sailor who invited me to sit and listen to stories of his travels and description of what a typical day was like living on the ship. It is this first interview that remains ingrained in my memory, succeeded only by a handful of others including an interview with the sister of NHL hockey player Brian Bellows. A strong spirited survivor, Sandy wanted to reach out to other young women after she was raped and savagely beaten in the snowy woods by serial rapist and murderer Peter John Peters. She had lived because a retired police officer overheard her screams of terror and rescued her, and she now had a strong desire to tell her story. I held two pieces of ID up to the window while two dobermans sniffed enthusiastically at the cracks of the door before being let in for a 2 ½ hour interview.
I joined the 680 News team right after graduation. In fact, Dick’s video was taken on the day Jamie Munroe and I had to leave work early to attend convocation. With the fresh 24/7 news wheel format, we were now responsible for getting news out around the clock and by the second. I often think back on this time as the moment radio reporting died for me (though I continued to anchor off and on). Instead of meeting with people and really hearing their narrative, the immediacy of the new format largely forced us into gathering sound bytes with man-on-the-street and over-the-phone interviews. Since that time, other shifts have worked to reinforce its death. Our evolving technology has combined with our post 20th century desire to live in the moment, acting like a hammer hitting the final nail on the coffin of the style of radio reporting I fell in love with almost 25 years ago.
I do not mourn the passing of the radio medium as a major news source sent into the back corners, but rather the passing of a public’s narrative and with it the echoes of empathy heard through the recounted stories of those we connected with; those we took the time to hear. Much the same demise has played out on our 24/7 news television screens, turned by audience desire for immediacy and entertainment. Many of you may argue with me, citing the unusual full-length playing of Charles Ramsey’s step-by-step account of how he saved three kidnapped women and a child from confinement. You may say, “the narrative isn’t dead. They even played the full 2 ½ minutes of Ramsey’s interview this week during a radio newscast”. I can’t help but hope there is a fraction of the public seeking to revive the narrative, but I’m more inclined to believe it’s entertainment they’re after.
Sunday May 12, 2013 Update
More evidence that the narrative is taking a hit for the sake of its audience comes in the Toronto Star today with media analyst Robert Thompson saying, “Basic rules need to be taught, not only on consuming media but how people themselves use media in these completely democratized ways. And that would include a sense of ethics, even if you are not a professional journalist.”
The article is largely about how news outlets keep getting the big news wrong time after time with the pressure to publish first. Coincidentally, the Toronto Star obviously failed to re-read before publishing. Reporter Mitch Potter used direct quotations for a person named Bleier twice. However, Robert Thompson is the man who should have been quoted throughout. He is the director of Syracuse University’s Bleier Centre for Television and Popular Culture. The use of “Bleier calls the rush of…” and “said Bleier” shows that even the Toronto Star can’t seem to write an article on journalistic mistakes without making mistakes of their own.